Second-place muffins
Through Listen to Your Mother, I had the opportunity to meet Max Langert, a father of two and native Californian who has been living in Texas for ten years now. He's an award-winning playwright, and this story about his family was poignant, vivid, and lovely. I'm honored to host his Listen to Your Mother essay on my blog today.
SECOND
PLACE MUFFINS
by Max Langert
When I was seven or
eight, my mother Nancy entered a baking contest. One of those old-fashioned ones run by a
local grocery store where you make something at home, bring it in, and then half
a dozen judges decide which entry is best.
And the winner gets something like a $25 credit to the store.
Now, my mother’s a really
good cook, but always needs a kind of double validation to feel okay about herself
(“Do you really like the pork chops? You’re
just saying that. So you really like
them then?”). She decided to enter these
lemon-currant muffins she’d been making for years. They were light and airy while still
retaining just enough moistness to feel satisfying.
And yes, Mom, I really do
like them.
I didn’t get to see any
of the contest firsthand because I was at home with my sister. But when my mother came back, she told us she’d
made it to the semi-finals, and then to the finals. And that she was supposed to bring a brand-new
batch of the muffins to the judges that afternoon so they could choose a winner.
My mother came in
second place.
They didn’t give her a
plaque or a trophy. I think she got a $10
store credit. But, of course, that
wasn’t enough validation for her. She
wanted something physical she could point to as proof that she was among the local
baking elite.
The organizers of the
contest had written the names of the winners on a small piece of construction
paper and taped it to the window of the store.
“First place—Marge Turner; Second place—Nancy Langert. Third place—” (It’s not important).
My mother asked if she
could have this piece of paper and ended up taping it high above the tallest
cabinet we had in the kitchen, where it couldn’t be touched or messed with by
anyone.
And it wasn’t.
It’s still hanging
there, thirty-some odd years later, covered in a thick layer of grease and dust,
faded and bleached by the sun.
And whenever anyone asks
about it, she always says the same thing:
“I would have come in first; it’s just that I didn’t make enough muffins.”
According to my mother,
the judges asked all the finalists to bring in six samples. My mother brought in exactly six, but Marge
Turner brought in enough peanut brittle for at least fifteen helpings. So the judges kept going back to Marge for
seconds and even thirds, while my mother’s muffins were long gone.
Marge effectively stuffed
the ballot box.
Back at home, away from
the excitement of the contest, I was waiting to hear the results with my older
sister, Susie, who is severely autistic.
When I was a kid, she was totally unpredictable, prone to regular
tantrums that could tear the house apart.
You could tell when one
of these tantrums was about to hit because the floorboards would creak, a door would
close harder than usual, and there would be aggravated foot shuffling on the
carpet upstairs.
I remember this
happening one day, a couple of years after the baking contest. The floorboards creaked, a door closed too
hard, and suddenly my sister was on the stairs screaming at the top of her
lungs.
My parents and I sprang
into action, each of us looking for a different way to diffuse the
situation. My father was the angry one,
my mother the gentle one, and I was somewhere in between, angry one moment, gentle
the next.
“Get in your room!” my father boomed.
“Would you like to read
a book together?” my mother cooed.
My sister would have
none of it. We approached her like FBI
agents at a hostage crisis, each taking a step toward her, cautious, with our
arms held straight out.
My sister swung around
and lunged for the metal banister, which shook and rattled all the way up and
down the staircase.
It just so happened
that my mother was making her muffins that afternoon. I could smell them baking and decided to take
a different approach.
“Would you like a
muffin?” I asked my sister, hoping to distract her.
And it worked. Suddenly her body froze. She looked down at me. “Muffin!” she grunted.
“Great,” I smiled, and
started walking toward the kitchen.
But my mother reached
out and grabbed my arm. “No,” she
said. “Not yet. They’re not…quite…ready.”
“How long?” I asked.
“Eight minutes,” my mother
said.
“Eight minutes,” my
father groaned.
“Eight minutes!” my
sister grunted.
“It’s too long,” I
said, and bolted toward the kitchen. I
popped the oven door down and reached for the tray, but it was too hot. I found an old towel and used it to yank the
thing out. I tried to grab one of the
muffins but it scalded my finger. So I stuck
the whole tray inside the freezer and waited.
I could hear the
struggle continuing in the hallway.
But I knew the only
thing that would save the situation at this point was those incredibly
flavorful second-place muffins.
So I counted to thirty,
pulled them out of the freezer, popped a couple of them into a paper towel—where
they fell into pieces—and ran back to the hallway.
“Muffins!” I announced.
“Muffins,” my sister
repeated.
“We should go
somewhere,” my mother said.
“Go somewhere?” my father
asked.
“To the park,” my
mother said. “She likes parks.”
So I ended up Hansel-and-Gretel’ing
the crumbs for my sister, offering one or two at a time as I led her slowly out
to the car.
She and I got in the
back seat as my father put the key in the ignition. It was sunny out, nice, and suddenly
everything was calm as my sister continued to pick at the pieces in the towel.
After we’d been driving
a while, my father muttered something I couldn’t make out.
“What did you say?” my
mother asked him.
“First place,” he said,
checking the rear view mirror. “First
place muffins.”
My mother grinned and
shook her head humbly. She didn’t need any
more validation.
Marge Turner could have
her $25 store credit. We had another
afternoon of peace.
MAX LANGERT’S plays have been performed in New York, Boston, L.A. and Amsterdam, and he’s won awards in Nashville, New Orleans and Austin, where his work has been named Best of the Fest at Fronterafest three out of the past five years. Originally from Oakland, California, he’s been in Austin over a decade and has two sons who are a couple of the best proofreaders he knows. Find him on Twitter at @ausmax
* * *
Does this remind you of any stories of your childhood? Please chime in and talk to Max; he'll check in to respond.
Love,
MAX LANGERT’S plays have been performed in New York, Boston, L.A. and Amsterdam, and he’s won awards in Nashville, New Orleans and Austin, where his work has been named Best of the Fest at Fronterafest three out of the past five years. Originally from Oakland, California, he’s been in Austin over a decade and has two sons who are a couple of the best proofreaders he knows. Find him on Twitter at @ausmax
* * *
Does this remind you of any stories of your childhood? Please chime in and talk to Max; he'll check in to respond.
Love,